Anisfield-Wolf winner Toni Morrison found herself on stage at the Hay Festival in Wales May 28, the same day her friend Maya Angelou died in North Carolina at the age of 86. The obvious question—”Do you have any words to say about her life and legacy?”—was coming.
“She launched African-American women writing in the United States,” Morrison said, choosing her words carefully. “She was generous to a fault. She had 19 talents…used 10. She was a real original. There’s no duplicate.”
The friendship between Morrison and Angelou spanned more than 40 years. In 1973, Angelou wrote to Morrison after she finished reading Sula, telling her, “This is one of the most important books I’ve ever read.” Their friendship deepened as they continued to cross paths and support one another’s work over the decades. When Morrison won the Nobel Prize for literature in 1993, Angelou threw a party at her Winston-Salem home.
In 2012, Angelou traveled to Virginia Polytechnic Institute and State University to toast Morrison’s contributions to literature. Poet Nikki Giovanni organized “Sheer Good Fortune,” a two-day celebration on the Blacksburg campus where she has taught since 1987. The guest list was historic, with Rita Dove, Edwidge Danticat, Sonia Sanchez and Angela Davis in attendance.
The writers assembled at Giovanni’s request, as a show of solidarity after the quick death of Morrison’s son Slade from pancreatic cancer in 2010. The gathering took its name from the dedication for Morrison’s 1973 novel, Sula :“It is sheer good fortune to miss somebody long before they leave you.”
Former poet laureate Rita Dove read from Song of Solomon. Poet Toi Derricotte selected a portion of Sula. Members of the Toni Morrison Society, now relocated to Oberlin, Ohio, performed a stirring passage from Beloved.
On stage, Maya Angelou smiled at the crowd and praised her friend for liberating her as a younger woman. “That is what this woman has done through 10 books: loving, respecting, and appreciating the African-American woman and all the things she goes through.”
Later, Morrison said, “This is as good as it gets.”
She gave credit to Angelou’s I Know Why The Caged Bird Sings for helping her discover the meaning in her work. “I had not seen that kind of contemporary clarity, honesty…sentences that were more than what happened, but how….I took sustenance from that. The door was open, so black women writers stepped through.”