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Tag Archives: Jesmyn Ward

The New York Times And PBS NewsHour Team Up For A New Book Club

Jesmyn Ward, whose fiction is drawing comparisons to William Faulkner's, received a new honor this week: her 2017 novel, “Sing, Unburied, Sing,” will kick off a new book discussion led by the New York Times and the PBS NewsHour. Called Now Read This, the organizers hope to become a go-to resource for reading groups across the country. Ward, the only woman to win a National Book Award twice for fiction, continues to live in rural Mississippi, the source of her family life and much of her inspiration. Born in 1977, Ward attended Stanford University and had decided in 2008 to turn away from the writing life and, at her mother’s urging, enroll in nursing school when Agate Publishing picked up her first novel, “Where the Line Bleeds.” It tells of two brothers on divergent paths and... Read More →

REVIEW: “Sing Unburied Sing” Fits Perfectly Into Jesmyn Ward’s Canon Of Southern Literature

The pages of Jesmyn Ward's third novel, "Sing, Unburied, Sing," smell of Mississippi. Set in the same fictional town, Bois Sauvage, as her 2011 National Book Award-winning novel, “Salvage the Bones,” her latest fiction returns to tell again of family bonds, tested by unresolved trauma and unrelenting Southern poverty. She undergirds the sense of place with a seven-line epigraph from Derek Walcott’s “The Gulf.” At the heart of “Sing” is Jojo, a 13-year-old narrator focusing on his budding manhood. His role model? Pop, whose days are spent taking care of his cancer-stricken wife, Mam, Jojo’s toddler sister Kayla, and to a lesser extent, his daughter Leonie, Jojo’s mother. Ward, a Mississippian and Tulane University professor, excels with a narrative that knits... Read More →

REVIEW: “The Fire This Time: A New Generation Speaks About Race”

There are 108 tally marks on the cover of The Fire This Time, the new essay collection that brings forth 18 perspectives from a new generation of writers, working in the tradition of James Baldwin. Each mark represents a black life lost too soon, a visual representation of the urgency of #BlackLivesMatter. In the aftermath of George Zimmerman’s acquittal in 2013, Jesmyn Ward went to Twitter to share her frustration, but found the platform too ephemeral. She was much more struck by the pertinence of James Baldwin’s The Fire Next Time. Ward, editor of this anthology, decided she wanted a book that “would reckon with the fire of rage and despair and fierce protective love currently sweeping through the streets and campuses of America.” The results are mostly successful. The Fire Next... Read More →

Jesmyn Ward Stresses Importance Of Telling Stories That Matter During Recent Visit To Cleveland

On a freezing, overcast March day, the writer Jesmyn Ward made her first foray to Cleveland.  She barely smiled as she stood behind a lectern in brown leather boots, red corduroy pants and a gray sweater set. Yet several in her audience at Cleveland Public Library murmured that the piercing, prepared remarks Ward read should be published immediately. Others were visibly moved and brimming with questions. Ward, 36, who won a National Book Award for her second novel, “Salvage the Bones,” spent the morning with Cleveland students from Glenville High School and the afternoon exploring the question of who is allowed to speak: “We all feel inadequate when faced with a blank page, an empty canvas or a silent instrument.  We must battle self-doubt or negative introspection with every... Read More →
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