Sixty-six writers and artists – including seven Anisfield-Wolf recipients and two jury members – wrote an open letter to President Donald Trump asking him to desist from broadly banning travel to the United States by people from seven predominately Muslim countries. The letter, sponsored by PEN America, is timed to influence the president before he issues a second version of his original, sweeping travel ban, which is now stayed by the U.S. District Court of Appeals.
“Preventing international artists from contributing to American cultural life will not make America safer, and will damage its international prestige and influence,” wrote the signatories, who include poet Rita Dove and historian Simon Schama, panelists on the five-member Anisfield-Wolf jury.
The letter continues: “Arts and culture have the power to enable people to see beyond their differences. Creativity is an antidote to isolationism, paranoia, misunderstanding, and violent intolerance. In the countries most affected by the immigration ban, it is writers, artists, musicians, and filmmakers who are often at the vanguard in the fights against oppression and terror. Should it interrupt the ability of artists to travel, perform, and collaborate, such an Executive Order will aid those who would silence essential voices and exacerbate the hatreds that fuel global conflict.”
Anisfield-Wolf novelists who put their name to the letter include Chimamanda Adichie, Sandra Cisneros, Nicole Krauss, Chang-rae Lee and Zadie Smith. Nonfiction honorees include philosopher Kwame Anthony Appiah and Andrew Solomon, president of PEN America.
“As writers and artists, we join PEN America in calling on you to rescind your Executive Order of January 27, 2017, and refrain from introducing any alternative measure that similarly impairs freedom of movement and the global exchange of arts and ideas,” they write.
Anthologies are tricky – and a new one called “Poems That Make Grown Men Cry” might seem like a gimmick. But readers who venture here will find that London editors Anthony and Ben Holden, a father and son, have come up with an engaging conversation-starter and a new angle on some marvelous work.
They asked 100 men to write a brief introduction to a poem that choked them up. The “vast majority are public figures not prone to tears,” writes Anthony Holden, “as is supposedly the manly way, but here prepared to admit to caving in when ambushed by great art.”
One, Simon Schama, is the Anisfield-Wolf juror and historian. Two are recent Anisfield-Wolf winners: Mohsin Hamid and Andrew Solomon. Poet Terrance Hayes picks former juror and Anisfield-Wolf recipient Gwendolyn Brooks for her poem “The Mother” and two contributors – novelist Mark Haddon and actor Tom Hiddleston — choose separate Derek Walcott poems, both published in 1984.
Schama, fresh off his new book and PBS series, “The Story of the Jews,” decides upon W.H. Auden’s “Lullaby.” The historian writes that “tears come to me reading Auden’s ‘Lullaby’ to a lover already asleep because the poem suspends time and the brutality of the world (‘1937 when fashionable madmen raise/Their pedantic boring cry’) at the moment of unanswerably perfect love.” The honesty in the poem “makes the eyes prick and the heart knock,” Schama writes. The actor Simon Callow, for his own reasons, picks the same poem.
Hamid, who won his Anisfield-Wolf book award for the novel “The Reluctant Fundamentalist,” chooses Robin Robertson’s “Keys to the Doors,” a 14-line piece addressed to a daughter and published in 2012, the book’s most recent poem. Hamid writes that he cut it out of the New York Review of Books, mailed it to Lahore and taped it to his printer – “It’s there now, stirring to the beat of my ceiling fan as I write this.”
A young father when he found it, Hamid writes that the poem captures something of the way his own little girl would “stride into my room where I was novel-writing, and talk to me, and ask me questions, and bring her fantasies into where I sat draped in mine.”
Andrew Solomon, who won last year’s nonfiction Anisfield-Wolf book award for “Far From the Tree,” picks Elizabeth Bishop’s 1976 work “Crusoe in England.” It is one of a dozen poems in the book by women, in the voice of an imagined aged Robinson Crusoe. Solomon writes that “the meticulous dryness of this narrator, so bereft of the spirit of adventure even when recalling adventures, seems to catch in the throat of the old man who speaks it.” Solomon esteems this voice for containing “not so much bitterness as restraint. Love is circumstantial; we can love anyone if need be; and losing the one we love is the singular catastrophe.”
Terrance Hayes writes that Brooks’ 1945 poem that begins “Abortions will not let you forget” was instrumental to him as a college student: “It is, in fact, the poem that made me choose the path of a poet rather than that of a painter. (No painting had ever made me cry.)” He writes that his continuous relationship with the poem as an older man is “a testament to its craftsmanship.”
Finally, Mark Haddon selects Walcott’s “Midsummer: Sonnet XLIII” and writes that he dislikes the sentimental. But the Nobel Laureate accomplishes something different here: “the sublime sublimely articulated.” A few pages later, Hiddleston writes that he reads Walcott’s “Love After Love” at least monthly. “I read it to my dearest friends after dinner once, and to my family at Christmas, and they started crying. Which always, unfailingly, makes me cry.”
All these tears caused Billy Collins to jokingly ask “how any of us make it through the book without succumbing to a complete emotional breakdown,” editor Ben Holden writes. And then he shrugs: “What could be more human, honest, or pure than tears?”
Historian Simon Schama is careful not to call his new PBS series the “definitive” look at Jewish history, but by others’ estimation, it is close.
The Columbia University professor and Anisfield-Wolf juror leads viewers through more than 3,000 years of Jewish history in the five-hour documentary, “The Story of the Jews.” For Schama, who is Jewish, the subject matter is not only personal, but pertinent.
Condensing thousands of years of Jewish history was no easy feat, but Schama went to great lengths to show the beauty and resilience of Jewish culture. “It’s not just a history of death and smoke and disaster,” Schama says.
The documentary is based on Schama’s newly released book of the same name. Volume one, “The Story of the Jews: Finding the Words 1000 BC-1492 AD” hit bookshelves this month and the second volume, covering 1492 to the present, will be released this fall.
Episodes one and two premiere March 25 at 8 p.m., and episodes three through five debut on April 1. Watch the three-minute trailer below and tell us if you’ll be tuning in:
CLEVELAND, Ohio (April 12, 2011) – The Cleveland Foundation today announced the winners of the 76th Annual Anisfield-Wolf Book Awards www.Anisfield-Wolf.org
- Nicole Krauss, Great House, Fiction
- Mary Helen Stefaniak, The Cailiffs of Baghdad, Georgia, Fiction
- David Eltis/David Richardson, Atlas of the Transatlantic Slave Trade, Nonfiction
- Isabel Wilkerson, The Warmth of Other Suns, Nonfiction
- John Edgar Wideman, Lifetime Achievement
“The 2011 Anisfield-Wolf winners are notable for the unique way each author addresses the complex issues of race and cultural diversity,” said Henry Louis Gates Jr., the Alphonse Fletcher University Professor and director of the W.E.B. Du Bois Institute for African and African-American Research at Harvard University, who serves as jury chair. “The books and authors honored this year stand out, not only for their creative and wide-ranging approach to difficult subject matter, but also for their underlying faith in our shared humanity.”
“Cleveland poet and philanthropist Edith Anisfield Wolf created this book prize more than 75 years ago because of her conviction that the issue of race was the most critical dilemma facing the United States. It was her fervent desire to break down stereotypes and encourage civil discourse so that future generations would be more appreciative of human diversity,” said Cleveland Foundation President and Chief Executive Officer Ronald B. Richard. “This prize remains a fitting testimony to the vision of a woman truly ahead of her time.”
About the Anisfield-Wolf Prize
The Anisfield-Wolf winners will be honored in Cleveland on September 15 at a ceremony hosted by the Cleveland Foundation and emceed by Jury Chair Gates. Rita Dove, Joyce Carol Oates, Steven Pinker and Simon Schama also served on the jury. The Cleveland Foundation has administered the book awards since 1963, upon the death of its creator, Edith Anisfield Wolf. The Anisfield-Wolf prize remains the only juried American literary competition devoted to recognizing books that have made an important contribution to society’s understanding of racism and the diversity of human cultures.
About the Cleveland Foundation
Established in 1914, the Cleveland Foundation is the world’s first community foundation and the nation’s second-largest today, with assets of $1.87 billion and 2010 grants of nearly $85 million. The foundation improves the lives of Greater Clevelanders by building community endowment, addressing needs through grantmaking, and providing leadership on vital issues. Currently the foundation proactively directs two-thirds of its flexible grant dollars to the community’s greatest needs: economic transformation, public education reform, human services and youth development, neighborhoods, and arts advancement.
For more information on the Cleveland Foundation, visit www.ClevelandFoundation.org.