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Kevin PowersThe Yellow Birds has been called a “beautiful and horrifying trance of a book,” an unnerving look at the cruelty and arbitrary nature of war. He spoke with us in the calm before this year’s ceremony, happy to accept the award that in recent years has gone to Junot Diaz, Louise Erdrich, and Chimamanda Ngozi Adichie. Hear his remarks below: 

Kevin Powers On Winning A 2013 Anisfield-Wolf Award For Fiction from Anisfield Wolf on Vimeo.

While Laird Hunt was in Cleveland for the 2013 Anisfield-Wolf ceremony, we managed to nab him for a brief interview during his busy day of press and pre-show preparation. Hunt was honored for Kind One, his 2012 novel that explores oppression on a rural Kentucky pig farm. (In interviews he often reveals that the idea for the book came from a nugget in another Anisfield-Wolf winner’s work—Edward P. JonesThe Known World.) Find out how Hunt reacted when he got the call from Dr. Gates and what he thinks the award means to his career moving forward.

Laird Hunt On Winning A 2013 Anisfield-Wolf Award For Fiction from Anisfield Wolf on Vimeo.

We caught up with Andrew Solomon a few hours before the 2013 Anisfield-Wolf ceremony to ask him his thoughts on being honored for his transformative work, 2012’s Far From The Tree. “To win something that is fondly called the ‘Black Pulitzer’ has particular meaning to me,” Solomon would go on to say later at the ceremony.

Hear his quick thoughts on winning an Anisfield-Wolf award, the politics of identity, and the march toward acceptance. 

Andrew Solomon On Winning The 2013 Anisfield-Wolf Award For Nonfiction from Anisfield Wolf on Vimeo.

In at least one way, Joe Brewster sounds like most fathers.

“I want my son to have the best education possible,” he says in the opening scene of this clip from “American Promise,” a short film that he and his wife Michelle Stephenson created to detail their son’s experiences at an elite Manhattan prep school.

Idris Brewster, a 5-year-old African-American boy from Brooklyn, would be one of few minority students at the Dalton School, where 2013 tuition is more than $40,000 per year. His parents switched on the camera once he was admitted. The impulse grew into an attempt to capture his entire K-12 educational career on film.

“We were embarking on this journey and having the camera around became a tool to process our journey,” Stephenson says.

In this extended trailer, viewers see that journey through Idris’ eyes: a school suspension he experiences as unfair, the pressure his parents apply that he outperform his peers, a cab that would pick him up, but not his friends.

Both parents are accomplished—Brewster attended Harvard and trained as a psychiatrist before becoming a filmmaker; Stephenson, daughter of immigrants, graduated from Columbia Law School. They make it clear that they have high expectations for their son and want him to be able to navigate being a black man in America.

“American Promise” won the Special Jury award at the 2013 Sundance Film Festival and will air on PBS in 2014. For more on “American Promise,” visit americanpromise.org.

Every afternoon, I wait in my children’s grade school library with the other parents for pick-up. The principal reads off students’ names over the loudspeaker, the signal that they are dismissed and can meet us in the library.

Every day, without fail, the principal stumbles over Ayanna, my six-year-old daughter’s name. She tries “Ah-yanna,” “I-yanna,” “E-yanna”—every pronunciation except the correct one. (It’s “A-yahn-na,” in case you’re wondering.)

As a black mother, I felt pressure—mostly from well-meaning relatives—to give my daughter a racially ambiguous name, one that was simple and easy to pronounce. Too many vowels or even one apostrophe meant trouble. I chose “Ayanna” after reading it in an Eric Jerome Dickey novel and loving that it means “beautiful flower” in Hebrew.

My husband and I have not regretted our decision, but I was brought up short reading Nikisa Drayon’s post in the New York Times titled, Will a “Black” name brand my son with mug shots before he’s even born? The writer is seven months pregnant and fretting over giving her son an “ethnic” name like Keion:

“The father of my child recently told me of his wish to name our son Keion, after his childhood best friend. I was nothing short of horrified. In my opinion, ‘Keion’ is identified as a ‘black’ name. My two best friends politely asked, in unison, ‘Don’t you think it sounds too ethnic?’ And I cannot forget my brother’s blunt, stinging remark, ‘Hell, no … way too ghetto. You guys need to revisit the baby books.’”

So Drayton Googles the name to learn more about its provenance and is confronted instead with mug shots of various “Keions.”

“Contemplating baby Keion led me straight to a a black mother’s biggest fear, mingling inside me along with the common aches and pains of motherhood,” she writes. “My unborn son, a seven-month old fetus, could have all the world’s unspoken markings of a criminal — the wrong skin color and the wrong name.”

While I was conscious about how freighted a name can be, our choices for our daughter and son Thomas were personal, not fearful. We gave them names that sounded strong, had meaning for our family, and that would convey some idea of the hopes we held for them. Being worried that an employer will toss their resume after seeing a “black” name is a concern – one that sociologists continue to investigate. But should such caution be determinative? Let us know your thoughts.

Several years ago, Clevelander Anne Trubek attended the Anisfield-Wolf ceremony with an interest in hearing that year’s crop of winners speak. As she left, she realized that she had been exposed to one of Cleveland’s best kept cultural secrets.

The writer-in-residence at Oberlin College, author and literary critic tucked her experience in her back pocket and went on to co-edit Rust Belt Chic: The Cleveland Anthology. The idea was to share Cleveland stories that only Clevelanders could tell. After a huge response, Trubek’s format morphed into another repository for Cleveland stories — Belt magazine.

“I want Belt to tell some of the many amazing Cleveland stories that have not yet been told,” she said. “The Anisfield-Wolf Awards is one example. I decided, sometime in May, that it would be the first story.”

Trubek assigned the story to Kent State journalism professor Jacqueline Marino, who reported extensively to uncover the award’s history and provide a glimpse into the life of Edith Anisfield-Wolf. Marino said she was surprised how low-profile the woman remains, exactly 50 years after she died.

“I had never heard of the award,” Marino said. “But once I read about the winners, the jury, and especially founder Edith Anisfield-Wolf—this intriguing character from Cleveland’s history that no one seems to know much about—I was enthralled. She and her father contributed so much to Cleveland.”

Read the Belt magazine feature on Anisfield-Wolf and let us know if you agree.

Tonight, our spotlight shined on 10-year-old Gwyneth Wilde, a fifth-grader at the Falcon Academy of Creative Arts in Mogadore. Gwyneth will recite a poem she wrote last year in a workshop sponsored by Kent State University’s Wick Poetry Center. This superb program, which brings poetry to communities throughout Northeast Ohio, is led by Nicole Robinson, who accompanied Gwyneth, along with Gwyneth’s parents, Laura and Brian Wilde.

Take a minute to read her poem, “Flinging off the Curved Bow” and leave a comment for Gwyneth. We’ll make sure she sees it.

Three times a week, a group of strangers gathers in the basement of an independent New York City bookstore.

Their purpose? The volunteers—sometimes including tourists—pack more than 200 books a month, shipping them to prisons in 41 states. They belong to a collective called Books Through Bars, which provides reading material to inmates at their request.

Begun in Philadelphia roughly three decades ago, the collective sprouted chapters across the country, all operating on the same model: Books are donated to a partnering bookstore and volunteers match donations with requests.

ABC No Rio, an artist’s community center in Manhattan’s Lower East Side, started the work in 1996. Victoria Law, author of Resistance Behind Bars, is a founding member.

Prison reformers have long advocated more access to books for inmates. Research indicates that books and education ease the transition back into society, and reduce recidivism rates.

Odette, a volunteer with the Manhattan program, said that inmates are thankful such an organization exists. (She asked that her last name be omitted.) “In some cases, people may be cut off from family and friends, either due to solitary confinement or some other reason,” she said, “and we are one of the only forms of positive human contact they receive.”

The most requested items (and hardest to solicit donations for) are English- and Spanish-language dictionaries. Close behind are history books and titles on navigating the oft-confusing social services system.

Have titles you’d like to donate? Visit the Prison Book Program’s website for details on which program serves your state.

Anisfield-Wolf juror Rita Dove is 61 today.  Her father, chemist Ray Dove, took her and her brother from Akron, Ohio, to Washington, D.C. when she was 11, where Mr. Dove participated in the March for Jobs and Freedom.

This video, created by Rita Dove’s husband Fred Viebahn, features rich personal photographs and vintage film.  Please note that the music in the background is former U.S. Poet Laureate Dove herself, playing bass viol.

The numbers are sobering: African American babies are twice as likely to die before their first birthday than white infants.

Journalist and breastfeeding advocate Kimberly Seals Allers works for better survival and health of black infants through her website, MochaManual.com, and her on-the-ground campaign. A big focus is to give newborns more of what Allers calls the “first food”—breastmilk.

Studies consistently show that breastfeeding boosts the child’s immune system and reduces the risk of Sudden Infant Death Syndrome (SIDS), which kills black infants twice as often. Recent data from the Centers for Disease Control finds that 59 percent of black mothers have breastfed compared to 75 percent of white mothers. While the proportion has been increasing over the past decade, Allers remains diligent. “When I say breastfeeding is a life or death matter, this is what I mean,” she writes.

A nationally recognized coalition of breastfeeding advocates have dubbed August 25 through August 31 Black Breastfeeding Week. The coalition includes Allers, Kiddada Green, founder of the Black Mothers’ Breastfeeding Association, and Anayah Sangodele-Ayoka, co-founder of the Free to Breastfeed project.

Using social media as the main driver, organizers are hosting Twitter chats and live YouTube discussions to promote breastfeeding among African-American families and to examine cultural barriers that sometimes discourage African-American mothers. The entire week is anchored by the simple hashtag, #BlackLivesMatter.

“From our role as wet nurses in slavery being forced to breastfeed and nurture our slave owners’ children often to the detriment of our children,” Allers writes, “to the lack of mainstream role models and multi-generational support, to our own stereotyping within our community — we have a different dialogue around breastfeeding and it needs special attention.”

I defy gravity/I am stronger than any force/I am Brooklyn

This isn’t a verse from one of Jay Z’s latest records, but rather the first lines from a high school student’s entry in the Science B.A.T.T.L.E.S. competition. 

Students from nine New York City schools competed in June, part of a network of student rap contests that marry verbal dexterity with concepts from plate tectonics to Pluto.  These aren’t lectures but true competitions—students in Oakland, California, rapped about whether Rosalind Franklin was ripped off by James Watson and Francis Crick in their discovery of the architecture of DNA.

Stage names were welcome—one student performed as “Double R Bars.” Teachers encouraged adolescents to be energetic and creative as they rhymed lyrics on stage in front of family and peers. 

Christopher Emdin, associate professor at Columbia University and author of Urban Science Education for the Hip-Hop Generation, came up with the idea. His goal is simple: introduce scientific ideas in a way that’s fun and relevant. 

“Not every student is going to be a straight-A student, and go on to college and declare a science major and be the next Einstein,” he says. “But through this project we definitely are going to have more scientifically literate young people.”

NPR captured behind-the-scenes footage in this seven-minute documentary of the rap battle. Watch it now:

Meet our esteemed manager, Karen R. Long, at the Cleveland Public Library’s Brown Bag Book Club on Wednesday, August 21 at noon.

Long, the former Plain Dealer book editor, will introduce Cleveland to the four 2013 Anisfield-Wolf Book Award winners. Beginning Wednesday, September 4, a more in-depth discussion of each book will occur weekly: 

Tickets to the Sept. 12 awards ceremony are sold out, but Long will raffle off six at her library talk. 

Karen R. Long served as book editor of The Plain Dealer for eight years before becoming the manager of the Anisfield-Wolf Book Awards. Long is a vice president for the National Book Critics Circle, where she is a judge for its six annual prizes, awarded each March in New York City. 

Karen will give her talk on the 2nd Floor of the Main Library Building, in the Literature Department. Interested guests will be able to check out the featured books after the talk. Questions? Call the library at 216-623- 2881.

Please call 216-623- 2881 with questions.

“In a time that spends so many words and dollars upon conflict, it is encouraging to be noticed for having said a few words in favor of peace.” ~Wendell Berry 

The Dayton Literary Peace Prize announced that Wendell Berry is the 2013 recipient of the Richard Holbrooke Distinguished Achievement Award, named for the late U.S. diplomat who brokered the 1995 Dayton peace accords.

A novelist, essayist, poet, farmer, and activist, Berry has spent his literary career exploring issues ranging from sustainable agriculture to national security. He was a vocal critic of the Vietnam War and protested the nation’s post-9/11 international strategy. Among his many honors, Berry received the National Humanities Medal in 2011 from President Barack Obama, and in 2012 was named the 2012 Jefferson Lecturer, the highest government honor for distinguished intellectual achievement in the humanities.

The only international peace prize in the United States, the Dayton award recognizes literature that promotes peace, social justice, and global understanding. Former winners of the Holbrooke lifetime achievement award include author Barbara Kingsolver, civil rights historian Taylor Branch, and peace activist Elie Wiesel.

Tim O’Brien, the 2012 Holbrooke recipient, will present this year’s award to Berry at the ceremony on November 3 in Dayton, Ohio.

Thanks to generous supporters on the crowd-funding site Kickstarter, anti-racism activist Tim Wise has raised more than $41,000 for a feature film adaptation of his 2008 book, “White Like Me: Reflections On Race From A Privileged Son.”

A frequent MSNBC guest and lecturer, Wise, 44, has crisscrossed the country to discuss white privilege, racial bias, and discrimination. He wants the film to further the national conversation on race, specifically what it means to be white in this country.

“We live with the legacy of inequality,” Wise says in the trailer, “but also the legacy of obliviousness that allows those in the dominant group to rarely even think about these matters.”

The film is enhanced by an impressive list of scholars, including Princeton’s Imani Perry; Michelle Alexander, who ignited much discussion with her 2012 book, “The New Jim Crow: Mass Incarceration in the Age of Colorblindness”; Harvard law professor Charles Ogletree and his colleague Nilanjana Dasgupta, who does National Science Foundation-funded research on implicit prejudice.

The film is scheduled to be released in September 2013. Watch the two-minute trailer below and let us know what you think: 

After months of little publicity, the official trailer for “Half Of A Yellow Sun” has been released, weeks ahead of the film’s debut at the Toronto Film Festival in September. 
 
The big screen adaptation of Chimamanda Ngozi Adichie’s acclaimed 2006 novel has been in the works since 2008. First-time director Biyi Bandele, celebrated Nigerian novelist and playwright, has ushered the project from script to screen. 
 
Unlike most productions in Nollywood, Nigeria’s film industry, “Half of A Yellow Sun” has serious Hollywood power in its starting line-up: Thandie Newton (Crash), Chiwetel Ejiofor (Inside Man) and Anika Noni Rose (Dreamgirls) all star. No formal release date has been announced. Watch the trailer below and let us know what you think. (Be warned: there are 10 seconds of strong violence at the 1:33 mark)  
 

Contrary to its pop culture rep as a hipster haven, Brooklyn has the unpleasant distinction of being the bloodiest of New York City’s five boroughs. According to a 2013 NYPD report (for the year 2011), 36 percent of all homicides in New York City occurred in Brooklyn.

In 2012, a group of engaged citizens formed Man Up!, a grassroots group designed to stop gun violence in its tracks. The results have been impressive: No shootings or killings for the past year.

The group’s strategy? Treat gun violence as a public health issue and react to it the same way as a disease epidemic. In layman’s terms, this means the members of Man Up! go into the most volatile areas (unarmed), mediate problems, and offer alternative options for those on a dangerous path.

These “violence interrupters,” as they are coined, are often former gang members or people whose lives have been touched by gun violence. This gives them the credibility and access to be effective on the ground.

The members of Man Up! have been trained by the Cure Violence Initiative, a 13-year-old organization founded by epidemiologist Gary Slutkin. After years of working abroad on disease prevention campaigns, Slutkin returned to the United States in the late ’90s and noticed similarities in dispersion patterns when looking at violent crimes on a map.

“The greatest predictor of a case of violence is a previous case of violence,” Slutkin said at this year’s TEDMED event. Violence, he said, tends to spread the same way as influenza: One person catches it and spreads it among others. Using the same epidemic strategies that helped reduce AIDS cases in Uganda, Cure Violence saw an 67% decrease in shootings during its first year.

Since 2000, the initiative has spread to more than 20 cities worldwide, including New York, New Orleans, Chicago, and Baltimore. On average, cities using the Cure Violence model have seen at least a 41% drop in shootings and killings.

“This is good news,” Slutkin said, “because it give us the opportunity to replace some of these prisons with playgrounds, and turn these neighborhoods back into neighborhoods.”

The highly praised independent film, “The Interrupters,” premiered in 2011, showcasing community efforts to end gun violence in inner-city neighborhoods. Watch the trailer below.

As the George Zimmerman trial draws to a close, the simmer of daily conversation on social media has heated to a boil.  And comments are growing sharper in anticipation of a verdict in a case that began the night of Feburary 26, 2012, when an unarmed Trayvon Martin was fatally shot by Zimmerman, who is claiming self-defense.

Now, a simple way to indicate support of Trayvon Martin’s family is spreading across Facebook, Twitter and Instagram profiles. Instead of the typical signature photos of happy, smiling individuals, people are switching their profile pictures to a simple black square.

The “Justice For Trayvon Martin” Facebook Page turned its profile photo black Thursday evening. “We are blacking out our profile photos in a showing of love, unification and solidarity in support of Trayvon Benjamin Martin,” the page designer wrote. With more than 200,000 fans on the page, the notion spread quickly.

I asked one woman why she changed her picture. “As the mother of a black male…it is the least I can do to show my support to Trayvon’s family,” she responded. “Supporting the blackout might not change a thing, but on this day in history, it will show that I stood up in support of a mother who no longer has her son.”

When the Supreme Court struck down a key provision of the Voting Rights Act last month, Chief Justice John Roberts wrote that the watershed 1964 law had worked as intended: Racial discrimination had decreased and a record number of voters were now people of color. But how well do we remember the inequalities the law was protecting against?

A leader in the civil rights movement, Rep. John Lewis had a front-row seat to the tactics used to keep black people out of the voting booth. Physical intimidation, poll taxes, and literacy tests were all bent to the task. Segregationists designed literacy tests to be deliberately confusing. They imposed tight time constraints to increase errors. “Black people with Ph.D. and M.A. degrees were routinely told they did not read well enough to pass the test,” said Lewis, who won an Anisfield-Wolf award in 1998 for his memoir, Walking with the Wind.

The Civil Rights Movement Veterans has preserved copies of literacy tests administered in Louisiana and Alabama. A few sample questions below:

 

 

 

 

 

 

 

 

Lewis is organizing members of Congress to come up with new provisions for the Voting Rights Act. “We’ve come too far, made too much progress, to go back now,” he said in a recent MSNBC interview. “We’ve got work to do.”  

View the full tests here

 

When we first toured my daughter’s private school, I saw a little African-American girl toddling around. She was adorable with her short, curly Afro and cute pink bracelets that matched her pink sandals. I looked around for the girl’s mother and got a little nervous when I didn’t see any black women nearby.

But then a slim white woman with short blonde hair swooped her up. She had been standing next to the little girl the whole time. Why did I assume that a black child would have a black parent?

My assumption wasn’t too far from reality. Most recent data on private adoptions shows that most adoptive parents are white, and they tend to adopt white children.

Last month, NPR’s “Race Card Project” reported on an uncomfortable aspect of adoption: in many cases, black children cost less to adopt than biracial or white children. In one instance that the radio project examined, the fees to adopt an African-American baby were $12,000 less than those for a white child. Some representatives at the agencies say the cost differential is an incentive to coax potential parents to consider adopting children of a different race, as a simple marketplace response to supply and demand. There are more African-American children waiting on adoption lists.

I’m supportive of attempts to see more children adopted. All children should get a fair shot at finding a “forever family.” However, I’m not thrilled with African-American babies being on the clearance rack, so to speak. There are enough messages out there that black children are “less than.” Do we also need them to come to their families at a discount?

A mother to an African-American child asked on the NPR blog: “My son was cheaper than if he’d been white. How will he feel, if he ever finds out about that?”

 

One of my close friends, Shanelle Smith, shoved a thick book in my hands as we met for lunch. “You have to read this.”

It was upside down; I flipped it over. U.S. Supreme Court justice Sonia Sotomayor beamed from the cover. “It’s very good,” Shanelle said, tapping the cover of My Beloved World  for emphasis. “It’s my Lean In.”

Back in March, Shanelle and I had talked at length about Sheryl Sandberg’s “call to action” for working women as part of our informal book club. The child of two auto factory workers, my friend was turned off by Sandberg’s “middle class to riches” story, peeved that Sandberg had never met some of the barriers that low-income working mothers encounter. (Sandberg’s “working mom confession ” that her child had lice while on a private jet evoked zero sympathy.) Most women reading Lean In would never see the boardrooms Sandberg frequents, but I found enough truth nuggets to make it worthwhile.

Unlike Sandberg, Sotomayor isn’t dispensing career advice. The first Hispanic and only the third woman on the U.S. Supreme Court makes it clear that her story is personal.

Readers looking for a view into the inner workings of the Supreme Court will be disappointed. Sotomayor ends the book after her appointment to the U.S. District Court in 1992, calling it “inappropriate” to reflect on a journey still taking shape. That judiciousness has gotten her far in life.

Even without contemporary elements, her story is strong. Growing up with an alcoholic father who stayed sober just long enough to prepare dinner every night and a mother who worked long hours to avoid arguments, Sotomayor became self-reliant at an early age. Diagnosed with diabetes at 7 years old, she learned how to give herself daily insulin injections. 

Her diabetes also spurred her career ambitions; on a visit to the doctor she received a pamphlet on careers she could aspire to as a diabetic. She noticed that a detective — an occupation the 10-year-old Nancy Drew wannabe considered her path to becoming a judge — was not on the list. She was undeterred. The pamphlet incident is now her go-to anecdote whenever she speaks to the juvenile diabetes crowd.

Sotomayor reminds readers repeatedly that she has reached the height of her career precisely because of her background, not in spite of it. She believes her devotion to her community guided the “small, steady steps” that led to the Supreme Court. She writes about her years at parochial schools in the Bronx, where she first learned the joy of passionate debate, and her study at Princeton and Yale Law School, where she learned to advocate for diversity and move in the world on a grander scale.

“Until I arrived at Princeton, I had no idea how circumscribed my life had been,” she writes, “confined to a community that was essentially a village in the shadow of a great metropolis with so much to offer, of which I’d tasted almost nothing. I honestly felt no envy or resentment, only astonishment at how much of a world there was out there and how much of it others already knew.”

As she ascended in her career, first as an assistant district attorney and then as a private practice lawyer, her drive had ramifications for her personal life. She writes about the collapse of her marriage, noting that it was an amicable split and she remains friends with her former husband to this day. As for having children, Sotomayor took pleasure in being the “fun aunt” instead of having children herself: “The idea of another life utterly dependent on me, the way a child needs his mother, didn’t seem compatible with the professional necessity of living at this punishing pace.”

Reading this book in 2013, it’s good to remember that women of Sotomayor’s generation broke barriers as the first minorities to attend and graduate from institutions that had only recently started affirmative action practices. She detailed several instances of “casual” racism/sexism: the school nurse questioning her acceptance to Princeton; a law firm recruiter pushing her to admit that affirmative action is destructive; judges calling her “honey” in the courtroom. In spite of these slights, Sotomayor remained focused; her grit thrilled me.

Each chapter is a love letter to the values of hard work and dedication. As Sotomayor told committee members before her appointment to the federal bench: “I’m not intimidated by challenges. My whole life has been one.”

For readers who want to know what it was like to be nominated for the Supreme Court, here’s an excerpt from her interview with Oprah earlier this year: