…you can hear about Mohsin Hamid’s role in getting the project to the big screen. Are you as excited for the adaptation as we are?

We are celebrating 77 years of recognizing authors and works that contribute to the global dialogue around race and diversity. We’ve honored some of the greatest—from Toni Morrison to Langston Hughes to Isabel Wilkerson to Taylor Branch. With the redesign of our website, we’ve made it easier for you to find the books they were nominated for and to see what other works are in their catalog. And now, if you check out the Anisfield-Wolf Book Awards page on Goodreads, you will be linked to hundreds of reviews of these works, to hear from other readers what we already know—that these books will move you, will inspire you and will drive you to action. Go ahead and browse through the titles and see what moves you. We think there’s a trip to the library or bookstore in your immediate future. 

Often writers feel that urge to put their thoughts out in the world as young children. 2012 Anisfield-Wolf winner Esi Edugyan felt the bug as a pre-teen after she drafted a piece of poetry that was so good, her mother insisted she must have copied it from a book. From then on, being a writer was an ultimate goal of a young Ms. Edugyan. Check out this short video presentation put together for the 2011 Scotiabank Giller Prize and learn more about her thoughts on the writing process, whether she’ll ever use social media to converse with fans, and how she feels when she completes a first draft.

We’ve been talking about Toni Morrison a lot lately, but we think it’s difficult to provide too much information on one of our greatest living writers. Bookriot named May 8 “Toni Morrison Day,” in honor of the release of her newest book, but we’re going to extend it one day and share one more video of the great Ms. Morrison. In it, she discusses the early part of her career and what she thought of the “Black is Beautiful” movement. 

It’s not very likely to hear us expressing doubt about Ms. Toni Morrison‘s literary abilities. If anything, our appreciation for her craft only grows larger with the release of each new work. Her latest novel, Home, explores the homecoming of Frank Money, a Korean War vet who signed up for the service to get away from his hometown, only to return weary and disturbed and not sure of how welcome he will be. The reviews are in—is this still the Toni Morrison we all know and love?  

New York Daily News: 

Toni Morrison’s new novel “Home” is a slim volume. That alone excuses it from providing the sweeping exhilaration of “Beloved” or “Song of Solomon.” But “Home” is also a lesser novel — still powerful, still moving, but not her best work.

San Francisco Chronicle: 

In addition to her reputation for gorgeous sentences, Morrison is known for a certain brutality in her plotting, and this wrenching novel is no exception. But “Home” also brims with affection and optimism. The gains here are hard won, but honestly earned, and sweet as love.

Los Angeles Times: 

Ultimately, the impression with which “Home” leaves us is of a novel that, like the town it encircles, is “much less than enough.” Or maybe it’s that the book seems tired, as if it were something we’ve read before. Either way, it leaves us wanting, without the discovery, the recognition of how stories can enlarge us, that defines Morrison’s most vivid work.

Washington Post: 

At just 145 pages, this little book about a Korean War vet doesn’t boast the Gothic swell of her masterpiece, “Beloved” (1987), or the luxurious surrealism of her most recent novel, “A Mercy” (2008). But the diminutive size and straightforward style of “Home” are deceptive. This scarily quiet tale packs all the thundering themes Morrison has explored before. She’s never been more concise, though, and that restraint demonstrates the full range of her power.

Will you be reading her latest book?  

Watch John Lewis and Cory Booker on PBS. See more from Finding Your Roots.

It’s so often repeated that it has lost most of its meaning, but the old saying is true: “You can’t know where you’re going if you don’t know where you’ve been.” Anisfield-Wolf jury chair Skip Gates’ latest PBS show, “Finding Your Roots” takes it one step further by connecting the past and the future. In the video above, he assists Newark mayor Cory Booker and Sen. John Lewis (1999 nonfiction winner) in exploring their past. Check out the video and let us know – what questions do you have about your past? What would you hope researchers could find out about your family? 

In anticipation for Toni Morrison’s latest novel, Home, following the story of a Korean War veteran and his return to America in the 1950s, New York magazine wrote one of the best pieces on Toni Morrison that we’ve ever read. In it, writer  Boris Kachka  examine her feelings on her pen name (Surprise! She hates it), whether she believes her writing is as good as other people say it is (she does) and much, much more. We’ve lifted some of the best excerpts and encourage you to read the full piece. It’s extraordinary: 

On whether she deserves to be listed among the all-time greats, regardless of skin color: 

But two decades after she won her Nobel, Toni Morrison’s place in the pantheon is hardly assured. A writer of smaller ambitions would live on contentedly in this plush purgatory, but Morrison writes—more and more consciously, it seems—for posterity. Having once spearheaded the elevation of black women in culture—Maya Angelou, Alice Walker, Oprah—she now finds herself struggling to cut them loose, to admit at long last what she’s always believed: that she’s not only the first, but the best. That she belongs as much with Faulkner and Joyce and Roth as she does with that illustrious sisterhood. That she will pass the test that begins only after Chloe Wofford is gone, and Toni Morrison is all that’s left.

On how she managed to develop such a strong command of literature and storytelling: 

At night her parents told R-rated ghost stories, like one about a murdered wife who returned home holding her own severed head. The following evening, the kids had to retell the tales with variations: Maybe it was snowing, or there was blood dripping from the head. “This was all language,” she says now. There were also fifteen-minute plays on the radio, which “influenced me as much if not more,” she remembers. “If they said ‘green,’ you had to figure out in your head what shade that was. And you only heard voices. So everything else you had to build, imagine. Everything.”

On what writing represents to her: 

“All of my life is doing something for somebody else,” she says—though her children are long grown and she’s been divorced for almost 50 years. “Whether I’m being a good daughter, a good mother, a good wife, a good lover, a good teacher—and that’s all that. The only thing I do for me is writing. That’s really the real free place where I don’t have to answer.”

Read the rest of the article here and tell us – did you come away with a different view of Ms. Morrison? What book of hers is your favorite? 

We’ll be spending this week exploring the lives and works of the 2012 Anisfield-Wolf Award winners. Today we’re recognizing Wole Soyinka, 2012 Lifetime Achievement winner. Apart from his extensive literary career, he has also been incredibly politically active, speaking out and risking his life to protest the corrupt governmental regimes in Nigeria. In 1967, he was arrested and put in solitary confinement for 22 months for his attempts at brokering a peace between the warring Nigerian and Biafran parties in his homeland. He kept writing during this time, finding a way to create ink in his cell and using tissue paper to collect his poetry. In the video above, documentary filmmaker Akin Omotoso takes viewers on a journey to understand the man behind the headlines and awards. Get more information on the documentary here. 

“This book is the first serious study of the phenomenon of dehumanization,” David Livingstone Smith says in this recent interview on his book, Less Than Human. “No one has really looked into what goes on when human beings think of other groups of human beings as sub-human creatures.” 

Check out the full interview to see how dehumanization has contributed to global crises like the Holocaust and global wars. Visit his website at RealHumanNature.com.

1. She counts Leo Tolstoy and Alice Munro among her favorite writers of all time: “Tolstoy has given me the most, year after year, without fail. I return to him for his scope, his sense of human destiny, the vastness of his vision. Alice Munro, for the precision of her writing, the sharp corners she can turn between sentences. There are many others – dozens and dozens! – of course.” 
2. If she wasn’t a writer, she’d still be doing something creative: “I honestly don’t know. On those days when you’re having problems and dreaming of greener pastures, you know, you think about it…I thought I’d study law or might do something else artistic – like dance, perhaps. Definitely something creative. As an adult I took a lot of dance classes, but wish I had danced as a child. Or singing. I would love to have trained my voice up.”
3. Does she believe in writer’s block? “If something isn’t coming, I think the angle from which you’re entering the work is not right, and you just have to change it. I think the business is difficult – getting an audience in all of this, I mean. You finish a book and you’re really excited, and it might not perform the way you (or others) want it to perform, and you wonder why certain books aren’t more celebrated, and why others are, and so many great books seem to slip through the cracks. It can seem quite arbitrary.”
4. How did she cope when her initial publisher for Half-Blood Blues went bankrupt and her novel was “homeless” for a couple months? She addresses that, as well as her reaction to the book’s popularity, in this video. 
5. Edugyan was a finalist for the Booker Prize, for which she recorded this video of a reading of Half-Blood Blues: